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Post-production 15.09.2000 - 03.02.2001 Vizontele's shooting was completed in September 8, and editing began a week later in İstanbul. Award-winning film editor Mustafa Preşeva took on the offline editing, and worked at Böcek Production's AVID 9000 digital set until late October. In November 1, the directors Yılmaz Erdoğan and Ömer Faruk Sorak, editor Mustafa Preşeva, assistant director Ali Taner Baltacı and sound assistant Neşe Akın flew to London for the post-production processes including the negative cut, sound design, final mix and copy printing. Post-production was undertaken by Soho Images, a Soho Group company and one of Europe's leading film and post-production studios. State-of-the-art filmmaking technology was employed for optical effects, color editing and negative cutting. The positive master copy and the screen copies were put together by Soho Images through laser printing which is unavailable in Turkey. Sound engineering was also done in London, at De Lane Lea Studios, one of Britain's largest and best equipped with a showcase that includes Beatles albums as well as several major European films. |
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